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When it comes to Bush's lyrics i've actually never really read into them personally, but I'm sure they're good. just that instead of it being applied to rock music it's with dreamy experimental pop music. I've also really gotten the sense that kate bush was maybe inspired by brian eno's production work with artists like bowie, devo and the talking heads, etc.
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I guess one other thing that I really like not just about kate bush but also about a lot of other widely loved, but also somewhat experimental artists and bands from like the 60s to maybe the late 80s is how widespread the practice of having all the hits and more immediate songs on the first side of a vinyl album was, and using the second side for the weirder or more out there shit, I could name a ton of albums that did this, but to me hounds of love was always paced/structured kind of similarly to the brian eno produced era david bowie albums, most specifically heroes in that sense. I think The dreaming, the sensual world and hounds of love are all incredible masterpieces, but it makes sense that hounds of love gets most of it since it's probably Kate Bush's most carefully curated album in a songwriting and production sense, I like the dreaming the most personally but I think it still deserves all the credit it gets. The second half is obviously still pop music to me in a melodic sense, but it's structurally very out there. Hounds of Love is released on Blu-ray and DVD by Arrow Video on 29 January.Side 1 on hounds of love is basically a bunch of incredible art/dream pop songs and I love it obviously, but side 2 is really what blows me away about the album, the second part of hello earth is one of the few songs that consistently gives me tingles along my spine and the closing track is one of my favorite songs ever. The acting is superb and Young controls the pacing brilliantly, making Hounds of Love is a breathtaking and harrowing debut. Indeed, it’s the power dynamic between the pair which adds a fresh touch of spice, allowing the viewer to gain an insight into their relationship and psyches at the same time as their captive. Whilst Evelyn is unstable herself, she’s retained much more humanity than her lover. Vicki is not the only victim of John’s psychosis. Hounds of Love is a tense and savage horror which adds a different perspective to the abduction sub-genre. Whilst she desperately hopes for an opportunity to escape, her captors become increasingly erratic and dangerous. However, John (Stephen Curry) and Evelyn (Emma Booth) aren’t exactly benevolent drugging and imprisoning Vicki. A couple stop to offer a lift, persuading her to come back to their house to pick up some weed. Vicki (Ashleigh Cummings), a bright yet troubled teenager who is struggling to come to terms with her parents’ recent divorce, sneaks out of her mum’s (Susie Porter) house to go to a party. Hounds of Love, the new film from Ben Young, is a fresh and compelling spin on kidnapping. Whether it’s the psychological terror of the classic Wake in Fright, the deliciously gruesome Wolf Creek, the almost surreal ‘true story’ Lake Mungo or the snappy Black Water, there’s something rather bleak and singular about genre cinema from Down Under. This is especially the case in their horror films. Australians seem to possess a rather perverse dark humour which they bring to their film-making.
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